![]() Spencer tells him that Polly has been "processed" and can be taken on the next flight. In the hangar's hidden chamber, Blade is affixing stamps to postcards. The Commandant is extremely dubious at the Doctor's story and disturbed by their lack of passports, but eventually, he relents and follows the Doctor and Jamie to the hangar to allow the Doctor to prove his story. Before he can draw his weapon, Jean Rock, the Commandant's assistant, arrives to give Blade flight schedules. Captain Blade is securing a packing case. Meanwhile, Ben finds the Chameleon hangar and is drawn inside by sounds of hammering. Suspecting they may be involved with the police box affair, Jenkins asks them to wait while he contacts the Commandant. The officer is moved to action when Jamie mentions the TARDIS. The Doctor and Jamie arrive at the Immigration & Customs desk but cannot get by the officer, Jenkins, as they haven't got passports. When the Doctor and Jamie cannot find her in the hangar, they resume their quest for help from the authorities. They say they must do something about that. Polly warns the pilots her friends will worry about her. Inside the hidden chamber, Polly is questioned to little effect. They intercept the Doctor and his companions and, as Polly is lagging behind, Spencer knocks her unconscious using a pen-shaped device. They decide that, despite the Doctor's knowledge, it is Polly who poses the biggest threat. Spencer and Blade are concerned when Polly says she could recognise the killer anywhere. The time travellers leave to find someone in charge. The Doctor is surprised to find the man Polly said was killed by a gun has been electrocuted. An alarm sounds, and they see the Doctor, Jamie, and Polly in the hangar searching for the body on a monitor. They dispose of the man's effects and two suitcases. They search the body and learn they have killed Detective Inspector Gascoigne, and Blade is concerned "a parent may have sent him". Spencer explains he killed him as he "knew about the postcards". She tells them what she saw the Doctor insists she show them.īlade joins the other pilot, Spencer, in the hangar. Polly finds the Doctor and Jamie hiding under a plane. The Commandant is flabbergasted to hear that the obstruction actually was a police box. The man goes out to catch her, but she escapes. An alarm sounds, and a monitor shows Polly examining the body. The corpse is covered with a parachute whilst the pilot enters a hidden control chamber filled with high-tech equipment and reports via a monitor to another pilot by the name of Blade. She sees a man, who is holding an envelope, killed by another man, wearing a pilot's uniform, with some kind of futuristic weapon. Polly, meanwhile, has hidden in the hangar for Chameleon Tours. The officer pursuing Ben has lost him, and Jamie meets up with the Doctor beneath a parked aeroplane. The police box is quickly hauled away on the back of a truck escorted by police motorcyclists. He incredulously orders the obstruction investigated. The airport's Commandant is informed by an air traffic controller of the reason given by the jet's pilot - a police box on the runway. The jet avoids a collision by aborting its landing, whilst the four intruders are spotted by a police officer, causing them to split up. The TARDIS lands on a runway at Gatwick Airport, and the Second Doctor, Ben, Polly, and Jamie run for their lives as a jet aeroplane tries to land on them. With the help of Samantha Briggs, the sister of one of the missing youths, the Second Doctor and Jamie must uncover the plot of the Chameleons. A great many young people have vanished, including Ben and Polly. And every act leaves a trace of data – a footprint in the snow of noise.The TARDIS arrives at Gatwick Airport in July 1966. Eating, resting, going to work, getting married – every act is tied to RealTime. "RealTime orients the life of every citizen. The manifesto states, amongst other things, that additional cameras are not permitted at filming locations, as the omnipresent existing video surveillance (CCTV) is already in operation. With the help of the Spectral Children she slowly finds out more about the lost power and history of the human face and begins the search for its future.įACELESS was produced under the rules of the 'Manifesto for CCTV Filmmakers'. A woman panics when she wakes up one day with a face. Synopsis: In a society under the reformed 'Real-Time' Calendar, without history nor future, everybody is faceless. Soundtrack: mukul, voice-over: Tilda Swinton, piano music: Rupert Huber, co-produced by Amour Fou and Ambient Information Systems FACELESS (AT/UK 2007), CCTV sci-fi fairy tale by Manu Luksch
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